March 18, 2019March 18, 2019 Matt Bullions

‘Alita: Battle Angel’ Doesn’t Quite Reach Its Potential

February 25, 2019January 25, 2021 Ryan D. Curtis

“Cold Pursuit,” Is Dark, Fun, and Unique

February 24, 2019March 6, 2019 Patrick Holman

2019 Oscars Results

February 23, 2019 Matt Bullions

“What Men Want,” Could Be Worse

February 23, 2019March 6, 2019 Patrick Holman

2019 Oscars Predictions

February 22, 2019February 21, 2019 Matt Bullions

“How To Train Your Dragon: The Hidden World,” Is A Lovely And Fitting Send-Off

February 22, 2019January 25, 2021 Ryan D. Curtis

“Destroyer,” Is Gritty, Compelling L.A. Crime Drama

February 21, 2019February 21, 2019 Matt Bullions

“Happy Death Day 2U,” Is A Gleefully Weird Delight

February 21, 2019January 25, 2021 Ryan D. Curtis

“Miss Bala,” Is Decent But Nothing Special

February 9, 2019January 25, 2021 Ryan D. Curtis

“Stan & Ollie,” Is A Delightful, Heartwarming Tribute

February 6, 2019January 25, 2021 Ryan D. Curtis

“The Kid Who Would Be King,” Is A Fun, Action-Filled Romp Through The English Countryside

February 6, 2019March 25, 2019 Patrick Holman

Editorial: The Best Films of 2018

February 5, 2019February 5, 2019 Matt Bullions

“Serenity,” Is An Unrelenting and Absurdly Hideous Mess

February 5, 2019January 25, 2021 Ryan D. Curtis

“Escape Room,” Is Diabolically Fun

February 1, 2019February 1, 2019 Matt Bullions

“The Mule,” Is Predictable And Problematic

January 28, 2019January 28, 2019 Matt Bullions

Best Films of 2018, According to Matt

January 27, 2019 Matt Bullions

“On the Basis of Sex,” Is a Solid, Important, Well-Acted Drama

January 27, 2019February 1, 2019 Matt Bullions

“If Beale Street Could Talk,” Is Heartbreaking, But Ultimately Hopeful

January 26, 2019 Ryan D. Curtis

Worst Films of 2018, According To Ryan

January 26, 2019January 27, 2019 Ryan D. Curtis

Best Films of 2018, According to Ryan