February 1, 2019February 1, 2019 Matt Bullions

“The Mule,” Is Predictable And Problematic

January 28, 2019January 28, 2019 Matt Bullions

Best Films of 2018, According to Matt

January 27, 2019 Matt Bullions

“On the Basis of Sex,” Is a Solid, Important, Well-Acted Drama

January 27, 2019February 1, 2019 Matt Bullions

“If Beale Street Could Talk,” Is Heartbreaking, But Ultimately Hopeful

January 26, 2019 Ryan D. Curtis

Worst Films of 2018, According To Ryan

January 26, 2019January 27, 2019 Ryan D. Curtis

Best Films of 2018, According to Ryan

January 12, 2019January 27, 2019 Patrick Holman

“On the Basis of Sex,” Portrays Ruth Bader Ginsburg Coming Into Her Own

January 12, 2019 Matt Bullions

“Welcome to Marwen,” Is a Complete and Utter Debacle

January 10, 2019January 13, 2019 Matt Bullions

“Green Book,” Is a Warm and Charming Crowd-Pleaser

January 7, 2019January 12, 2019 Matt Bullions

“Vice,” Is Ambitious and Messy

January 4, 2019January 4, 2019 Matt Bullions

“Bumblebee,” Brings A Clunker Back From The Dead

January 1, 2019 Matt Bullions

“Second Act,” Doesn’t Take Itself Too Seriously

December 31, 2018January 25, 2021 Ryan D. Curtis

“Bumblebee,” Is A Fun ‘80s Adventure

December 31, 2018January 25, 2021 Ryan D. Curtis

“Green Book,” Is Heartwarming and A Joy to Watch

December 30, 2018February 9, 2021 Ryan D. Curtis

“Vice,” Is Divisive and Thought Provoking

December 30, 2018 Matt Bullions

“Mary Poppins Returns,” Is Grand, Sweeping, and Totally Magical

December 27, 2018January 7, 2019 Patrick Holman

“Mary Poppins Returns,” Offers Delight and Nostalgia for All Ages

December 27, 2018December 2, 2020 Patrick Holman

‘Anna and the Apocalypse’ Will Be An Instant Cult Classic

December 27, 2018December 27, 2018 Matt Bullions

“Ben Is Back,” Is Emotionally Raw and Devastating

December 27, 2018December 31, 2018 Matt Bullions

“Aquaman,” Is Zany, Preposterous, and Monstrously Entertaining