December 12, 2025 Matt Bullions

‘Sentimental Value’ is One of the Year’s Best Films

January 18, 2025 Matt Bullions

‘Hard Truths’ is a Fascinating Study of Human Behavior

January 12, 2025 Matt Bullions

‘Better Man’ is Nutty and Electrifying

December 22, 2024December 18, 2024 Matt Bullions

‘Nosferatu’ Is Effective, But Could Be Nuttier

December 21, 2024December 20, 2024 Matt Bullions

Nicole Kidman Does Some of Her Finest Work in the Electric ‘Babygirl’

December 20, 2024December 20, 2024 Matt Bullions

‘The Room Next Door’ is a Haunting Meditation on Grief

December 19, 2024December 18, 2024 Matt Bullions

‘The Brutalist’ is a Towering Yet Flawed Cinematic Achievement

December 10, 2024 Matt Bullions

Timothée Chalamet’s Performance Makes ‘A Complete Unknown’ Sing

November 13, 2024November 13, 2024 Matt Bullions

‘Anora’ is a Dizzying Delight and an Existential Crisis

November 3, 2024November 3, 2024 Matt Bullions

‘Emilia Pèrez’ is an Audacious and Original Mess

February 26, 2024February 26, 2024 Matt Bullions

‘Perfect Days’ is a Joyful, Melancholic, Life-Affirming Experience

February 3, 2024February 5, 2024 Matt Bullions

Matt’s Best Films of 2023

April 27, 2021April 27, 2021 Matt Bullions

The 93rd Academy Awards: An Autopsy

January 1, 2021 Patrick Holman

Retrospective: The Best Films of 2019

February 9, 2020March 2, 2020 Patrick Holman

Editorial: The Best Films of 2019

February 24, 2019March 6, 2019 Patrick Holman

2019 Oscars Results

February 23, 2019March 6, 2019 Patrick Holman

2019 Oscars Predictions

December 23, 2018December 27, 2018 Matt Bullions

“The Favourite,” Is Hilariously Acidic And Brilliantly Crafted

December 20, 2018December 23, 2018 Matt Bullions

“Roma,” Is Personal, Emotional, and Breathtakingly Beautiful

March 1, 2018March 11, 2018 Joshua Ziggy Popkin

What Will Win, and What Should Win, at the 90th Academy Awards