Salt Lake Film Review

December 31, 2019December 31, 2019 Patrick Holman

Editorial: The Worst Films of 2019

December 29, 2019January 25, 2020 Matt Bullions

‘1917’ Is A Haunting and Emotional Journey

December 28, 2019December 28, 2019 Ryan D. Curtis

‘Black Christmas’ Is Laughably Bad and an Affront to the Slasher Genre

December 27, 2019January 25, 2021 Ryan D. Curtis

‘Star Wars: The Rise of Skywalker’ Is Underwhelming and Too Busy

December 25, 2019 Matt Bullions

‘Knives Out’ Is Twisty and Deliriously Entertaining

December 24, 2019December 28, 2019 Matt Bullions

‘Richard Jewell’ Trivializes An Important Story

December 24, 2019December 29, 2019 Patrick Holman

‘Cats’ Escapes Any Logical Explanation

December 22, 2019December 23, 2019 Matt Bullions

‘Cats’ Is A Mesmerizing Descent into Madness

December 21, 2019December 22, 2019 Patrick Holman

’30 for 30 Shorts: Subject to Review’ Highlights the Impact of Technology on Tennis

December 19, 2019November 29, 2020 Matt Bullions

‘Black Christmas’ Is a Twitter Argument Come to Life

December 18, 2019December 18, 2019 Matt Bullions

‘Frozen II’ Is Clunky and Inspired

December 10, 2019January 25, 2021 Ryan D. Curtis

‘A Beautiful Day in the Neighborhood’ Is An Inspiring Tapestry of Love and Kindness

November 30, 2019December 1, 2019 Patrick Holman

‘A Beautiful Day in the Neighborhood’ Invites Everybody to be Better Neighbors

November 29, 2019January 25, 2021 Ryan D. Curtis

‘Zombieland: Double Tap’ Is Even More Fun Than The Original

November 28, 2019December 24, 2019 Patrick Holman

‘Knives Out’ Is A Cleverly Entertaining Mystery

November 21, 2019November 21, 2019 Patrick Holman

‘Citizen K’ Grapples With the Truth of Russian Politics and Corruption

November 16, 2019November 28, 2019 Patrick Holman

‘The Good Liar’ Is An Exciting Drama With Veteran Actors

November 16, 2019November 16, 2019 Matt Bullions

‘Jexi’ Is One of the Year’s Worst Films

November 16, 2019November 16, 2019 Matt Bullions

‘Judy’ Is Conventional, But Zellweger is Extraordinary

November 15, 2019January 25, 2021 Ryan D. Curtis

‘Motherless Brooklyn’ Is A Sluggish But Ultimately Satisfying Noir