January 28, 2026 Matt Bullions

‘Send Help’ is a Deliciously Demented Delight

January 17, 2026January 17, 2026 Matt Bullions

‘Primate’ is Lean, Brisk and Brutal

January 12, 2026January 16, 2026 Matt Bullions

Matt’s Best Films of 2025

December 21, 2025December 21, 2025 Matt Bullions

‘Avatar: Fire and Ash’ and the Perils of Franchise Fatigue

December 12, 2025 Matt Bullions

‘Sentimental Value’ is One of the Year’s Best Films

November 26, 2025 Matt Bullions

‘Hamnet’ is Emotionally Exhausting Yet Incredibly Effective

November 19, 2025November 19, 2025 Matt Bullions

‘Wicked: For Good’ is a Dazzling and Emotionally Charged Conclusion

November 13, 2025November 13, 2025 Matt Bullions

‘The Running Man’ is Urgent and Entertaining

November 6, 2025November 6, 2025 Matt Bullions

‘Blue Moon’ is an Unexpected Emotional Rollercoaster

November 5, 2025November 2, 2025 Matt Bullions

‘Christy’ Eventually Becomes A Compelling Biopic

November 4, 2025November 4, 2025 Matt Bullions

‘After the Hunt’ Should Pack More of a Punch

November 3, 2025November 3, 2025 Matt Bullions

‘If I Had Legs I’d Kick You’ is a Masterclass in Tension

November 2, 2025 Matt Bullions

‘Bugonia’ is Bleak, Bold and Chilling

October 26, 2025 Matt Bullions

‘Regretting You’ Might Leave the Viewer With Regret

October 25, 2025October 25, 2025 Matt Bullions

‘Springsteen: Deliver Me From Nowhere’ is Moody and Intimate

October 24, 2025 Matt Bullions

‘Shelby Oaks’ is a Solid Horror Debut

October 19, 2025 Matt Bullions

‘Good Fortune’ is Timely and Clever

October 18, 2025 Matt Bullions

‘A House of Dynamite’ Isn’t Exactly Explosive

October 17, 2025October 17, 2025 Matt Bullions

Guillermo Del Toro’s ‘Frankenstein’ is Visually Stunning and Surprisingly Moving

October 10, 2025October 10, 2025 Matt Bullions

‘Kiss of the Spider Woman’ is Dazzling and Devastating