December 21, 2025December 21, 2025 Matt Bullions

‘Avatar: Fire and Ash’ and the Perils of Franchise Fatigue

December 12, 2025 Matt Bullions

‘Sentimental Value’ is One of the Year’s Best Films

November 26, 2025 Matt Bullions

‘Hamnet’ is Emotionally Exhausting Yet Incredibly Effective

November 6, 2025November 6, 2025 Matt Bullions

‘Blue Moon’ is an Unexpected Emotional Rollercoaster

November 5, 2025November 2, 2025 Matt Bullions

‘Christy’ Eventually Becomes A Compelling Biopic

November 4, 2025November 4, 2025 Matt Bullions

‘After the Hunt’ Should Pack More of a Punch

November 3, 2025November 3, 2025 Matt Bullions

‘If I Had Legs I’d Kick You’ is a Masterclass in Tension

October 26, 2025 Matt Bullions

‘Regretting You’ Might Leave the Viewer With Regret

October 25, 2025October 25, 2025 Matt Bullions

‘Springsteen: Deliver Me From Nowhere’ is Moody and Intimate

October 24, 2025 Matt Bullions

‘Shelby Oaks’ is a Solid Horror Debut

October 18, 2025 Matt Bullions

‘A House of Dynamite’ Isn’t Exactly Explosive

October 17, 2025October 17, 2025 Matt Bullions

Guillermo Del Toro’s ‘Frankenstein’ is Visually Stunning and Surprisingly Moving

October 10, 2025October 10, 2025 Matt Bullions

‘Kiss of the Spider Woman’ is Dazzling and Devastating

October 9, 2025 Matt Bullions

‘Roofman’ is Surprisingly Heartfelt

October 6, 2025October 17, 2025 Matt Bullions

‘The Smashing Machine’ is a Biopic That Bores

September 27, 2025October 17, 2025 Matt Bullions

‘The History of Sound’ Doesn’t Make Any Noise

September 26, 2025October 17, 2025 Matt Bullions

‘One Battle After Another’ is a Thrilling and Provocative Stunner

September 25, 2025 Matt Bullions

‘Eleanor the Great’ Left Me Cold

September 12, 2025 Matt Bullions

‘The Long Walk’ is Bleak, Brutal and Essential

September 3, 2025September 3, 2025 Matt Bullions

‘Downton Abbey: The Grand Finale’ Gives Fan Service a Good Name