September 27, 2026September 27, 2026 Matt Bullions

‘Primetime’ is Unsettling and Bleak

July 11, 2026 Matt Bullions

‘The Invite’ is the Best Film I’ve Seen So Far This Year

May 31, 2026 Matt Bullions

‘Backrooms’ is a Surreal and Disorienting Nightmare

April 4, 2026April 4, 2026 Matt Bullions

‘The Drama’ is a Dark, Disturbing and Hilarious Date Movie

November 3, 2025November 3, 2025 Matt Bullions

‘If I Had Legs I’d Kick You’ is a Masterclass in Tension

October 6, 2025October 17, 2025 Matt Bullions

‘The Smashing Machine’ is a Biopic That Bores

June 14, 2025June 14, 2025 Matt Bullions

‘Materialists’ is One of the Year’s Best Films

May 31, 2025 Matt Bullions

‘Bring Her Back’ Gets Under Your Skin and Stays There

May 29, 2025May 29, 2025 Matt Bullions

A Love Letter to the Weird, Wild, Heartfelt and Hilarious World of ‘Overcompensating’

April 28, 2025 Matt Bullions

‘The Legend of Ochi’ is Derivative and Uninspired

April 12, 2025April 12, 2025 Matt Bullions

‘Warfare’ is Intense, Unrelenting and Essential

March 29, 2025 Matt Bullions

‘Death of a Unicorn’ is a Sharp and Mostly Effective Genre Satire

March 15, 2025March 15, 2025 Matt Bullions

‘Opus’ is a Muddled and Derivative Celebrity Satire

December 21, 2024December 20, 2024 Matt Bullions

Nicole Kidman Does Some of Her Finest Work in the Electric ‘Babygirl’

December 19, 2024December 18, 2024 Matt Bullions

‘The Brutalist’ is a Towering Yet Flawed Cinematic Achievement

December 18, 2024December 18, 2024 Matt Bullions

‘Queer’ is Yet Another Luca Guadagnino Winner

November 15, 2024 Matt Bullions

‘Heretic’ is Two-Thirds of a Great Horror Movie

October 22, 2024October 22, 2024 Matt Bullions

‘We Live in Time’ Never Moved Me

September 11, 2024 Matt Bullions

There’s Nothing Going On in ‘The Front Room’

August 20, 2024August 20, 2024 Matt Bullions

‘Sing Sing’ is an Emotionally Gripping Story About the Power of Live Theatre