‘Hitman’s Wife’s Bodyguard’ or ‘How Not to Do a Comedy Sequel’
‘Spiral’ Is a Lousy Attempt at Reviving a Franchise That Should Stay Dead
‘Love, Victor’ Is Bolder And Better In Its Second Season
‘The Conjuring: The Devil Made Me Do It’ Is An Efficient Paranormal Investigation
‘The Conjuring: The Devil Made Me Do It’ Is a Mostly Effective Horror Procedural
‘Love, Victor’ Finds An Even Stronger Sense of Purpose In Its Second Season
‘A Quiet Place Part II’ Is a Solid Sequel, But Can’t Top the Original
‘Cruella’ Is Dark, Dazzling, And Deliciously Anti-Disney
‘Girls5eva’ Is a Sharp, Surreal and Delightfully Nutty Joke Machine
‘In the Heights’ is a Vibrant, Rapturous and Thrilling Musical Masterpiece
The 93rd Academy Awards: An Autopsy
‘Thunder Force’ Is Unfunny, Bland and Quietly Infuriating
‘Call Me By Your Name’ Is Still A Masterpiece
I Guess I’ll Talk About ‘Zack Snyder’s Justice League’
‘The Last Blockbuster’ Is A Fun ‘90s Nostalgia Trip
‘Saint Maud’ Is Bleak and Viscerally Terrifying
‘Music’ Is An Unmitigated Disaster
‘Minari’ Is a Nuanced and Poignant Portrait of an American Family
‘WandaVision’ is Thrilling and Wonderfully Bizarre
