Salt Lake Film Review

April 28, 2023 Matt Bullions

‘How to Blow Up a Pipeline’ is an Intense, Gripping, Furious Passion Project

April 26, 2023 Matt Bullions

“Are You There God? It’s Me, Margaret” Finally Gets the Cinematic Treatment, and It Was Worth the Wait

April 22, 2023 Matt Bullions

‘Beau Is Afraid’ Is a Divisive and Disorienting Wackjob Head Trip

November 27, 2022February 10, 2024 Patrick Holman

‘Good Night Oppy’ Is An Inspiring Story of Perseverance

November 26, 2022 Ryan D. Curtis

‘Curse of Crom: The Legend of Halloween’ Is Enjoyable, Escapist Fare

November 25, 2022November 25, 2022 Patrick Holman

‘Spirited’ Gives Us Yet Another ‘A Christmas Carol’ Story

November 25, 2022 Ryan D. Curtis

‘Texas Chainsaw Massacre’ Is Asinine Drivel

October 25, 2022October 25, 2022 Ryan D. Curtis

‘Halloween Ends’ Is an Absolute Travesty and Disfigures Michael Myers’ Legacy

October 16, 2022 Matt Bullions

‘Pearl’ is an Unconventional and Unforgettable Genre Classic

October 2, 2022November 27, 2022 Patrick Holman

‘Bros’ Is the Movie Everybody Should See

September 25, 2022October 2, 2022 Matt Bullions

‘Don’t Worry Darling’ Is a Hot Mess

September 23, 2022 Matt Bullions

‘Bros’ is the Best Comedy I’ve Seen This Year

September 20, 2022September 20, 2022 Matt Bullions

‘Barbarian’ is Nutty, Erratic and Wildly Unpredictable

September 6, 2022 Ryan D. Curtis

‘The Righteous Gemstones’ Is Good, Soapy Fun

June 6, 2022June 14, 2022 Matt Bullions

I’m Really Going to Miss ‘Love, Victor’ – Final Season Review

June 6, 2022June 6, 2022 Ryan D. Curtis

‘The Murders at Starved Rock’ Is Compelling Yet Annoyingly Incomplete

April 5, 2022April 5, 2022 Matt Bullions

‘X’ is an Electric, Self-Aware and Shocking Genre Throwback

March 7, 2022 Matt Bullions

Matt’s Best Films of 2021

March 6, 2022 Matt Bullions

Matt’s Worst Films of 2021

January 21, 2022January 21, 2022 Ryan D. Curtis

‘Scream’ Reinvigorates the Slasher Genre