March 8, 2021March 6, 2021 Matt Bullions

‘Land’ Is Well-Made, But Emotionally Underwhelming

March 7, 2021March 7, 2021 Matt Bullions

‘Soul’ Is An Emotional Marvel, and One of Pixar’s Best

March 6, 2021June 6, 2021 Patrick Holman

Editorial: The Best Films of 2020

March 6, 2021March 6, 2021 Matt Bullions

‘Malcolm & Marie’ Is a Striking Portrait of a Doomed Relationship

March 2, 2021March 3, 2021 Matt Bullions

Some Thoughts on the Golden Globes

February 28, 2021 Matt Bullions

‘I Care a Lot’ Is a Deliciously Mean-Spirited Comedic Thriller

February 28, 2021February 27, 2021 Ryan D. Curtis

‘Locked Down’ Is A Run of the Mill Heist Flick With A COVID Twist

February 27, 2021 Matt Bullions

‘Cherry’ Is A Manipulative, Overlong, Incoherent Debacle

February 25, 2021February 27, 2021 Ryan D. Curtis

‘The Little Things’ Is Slow and Masterful, But Familiar

February 24, 2021 Matt Bullions

‘Barb and Star Go to Vista Del Mar’ Is a Wacky and Surreal Instant Comedy Classic

February 11, 2021February 11, 2021 Ryan D. Curtis

A Retrospective of ‘Friday the 13th’

February 10, 2021February 9, 2021 Ryan D. Curtis

‘City of Salt’ Is A Powerful Story, But Held Back By Horrific Acting

February 9, 2021March 6, 2021 Patrick Holman

‘Supernova’ Is A Heartbreaking Tragedy

February 7, 2021February 7, 2021 Matt Bullions

‘Wonder Woman 1984’ Is Good, Actually

February 6, 2021February 6, 2021 Matt Bullions

Matt’s Best Films of 2020

February 4, 2021February 3, 2021 Matt Bullions

Matt’s Worst Films of 2020

February 3, 2021 Ryan D. Curtis

Best and Worst Films of 2020, According to Ryan: Part Two

January 26, 2021February 9, 2021 Matt Bullions

‘The Undoing’ Is Addictive, Gripping, Exquisite Trash

January 25, 2021January 26, 2021 Ryan D. Curtis

‘Night Stalker: The Hunt For A Killer’ Is Trash TV At Its Finest

January 20, 2021January 25, 2021 Ryan D. Curtis

‘Don’t Tell a Soul’ Is An Intense, Atmospheric Thriller