December 22, 2024December 18, 2024 Matt Bullions

‘Nosferatu’ Is Effective, But Could Be Nuttier

December 21, 2024December 20, 2024 Matt Bullions

Nicole Kidman Does Some of Her Finest Work in the Electric ‘Babygirl’

December 3, 2024 Matt Bullions

Amy Adams is Giving a Ferocious and Fearless Performance in ‘Nightbitch’

November 19, 2024November 24, 2024 Matt Bullions

‘Wicked’ is a Breathtaking Reminder of the Magic of Movies

November 15, 2024 Matt Bullions

‘Heretic’ is Two-Thirds of a Great Horror Movie

November 13, 2024November 13, 2024 Matt Bullions

‘Anora’ is a Dizzying Delight and an Existential Crisis

November 3, 2024November 3, 2024 Matt Bullions

‘Emilia Pèrez’ is an Audacious and Original Mess

October 26, 2024October 26, 2024 Matt Bullions

‘Conclave’ is Half Prestige Picture and Half Trashy Airport Novel

October 19, 2024October 19, 2024 Matt Bullions

‘Smile 2’ is One of the Best Horror Sequels I’ve Seen in Years

October 8, 2024October 8, 2024 Matt Bullions

‘Saturday Night’ is an Electric and Exuberant Feast For Fans of Classic Comedy

September 25, 2024September 25, 2024 Matt Bullions

‘The Substance’ is a Bleak, Brutal and Brilliant Battle Cry

September 6, 2024 Matt Bullions

‘Beetlejuice Beetlejuice’ is a Shockingly Satisfying Return to the Netherworld

August 26, 2024 Matt Bullions

‘The Crow’ (2024) Has No Compelling Reason To Exist

August 25, 2024 Matt Bullions

‘Blink Twice’ is One of the Summer’s Best Surprises

August 24, 2024 Matt Bullions

‘Strange Darling’ Has Some Serious Problems

August 21, 2024August 19, 2024 Matt Bullions

‘Skincare’ is a Campy and Lurid Satirical Thriller

August 19, 2024 Matt Bullions

‘Alien: Romulus’ is Top Shelf Summer Franchise Filmmaking

August 15, 2024 Matt Bullions

‘Cuckoo’ Earns its Title, For Better and For Worse

August 3, 2024 Matt Bullions

‘Trap’ is a Series of Frustrating Missed Opportunities

July 20, 2024July 20, 2024 Matt Bullions

‘Twisters’ Is Fun For Awhile, But Never Quite Takes Off