March 6, 2021March 6, 2021 Matt Bullions

‘Malcolm & Marie’ Is a Striking Portrait of a Doomed Relationship

February 28, 2021 Matt Bullions

‘I Care a Lot’ Is a Deliciously Mean-Spirited Comedic Thriller

February 28, 2021February 27, 2021 Ryan D. Curtis

‘Locked Down’ Is A Run of the Mill Heist Flick With A COVID Twist

February 27, 2021 Matt Bullions

‘Cherry’ Is A Manipulative, Overlong, Incoherent Debacle

February 25, 2021February 27, 2021 Ryan D. Curtis

‘The Little Things’ Is Slow and Masterful, But Familiar

February 24, 2021 Matt Bullions

‘Barb and Star Go to Vista Del Mar’ Is a Wacky and Surreal Instant Comedy Classic

February 7, 2021February 7, 2021 Matt Bullions

‘Wonder Woman 1984’ Is Good, Actually

January 26, 2021February 9, 2021 Matt Bullions

‘The Undoing’ Is Addictive, Gripping, Exquisite Trash

January 25, 2021January 26, 2021 Ryan D. Curtis

‘Night Stalker: The Hunt For A Killer’ Is Trash TV At Its Finest

January 20, 2021January 25, 2021 Ryan D. Curtis

‘Don’t Tell a Soul’ Is An Intense, Atmospheric Thriller

December 27, 2020December 26, 2020 Patrick Holman

‘Wonder Woman 1984’ Shows Us That Warner Bros. Has Learned Nothing

December 26, 2020February 9, 2021 Patrick Holman

Editorial: The Worst Films of 2020

December 25, 2020 Patrick Holman

‘Promising Young Woman’ Is the Movie of the Year

December 23, 2020 Matt Bullions

‘Happiest Season’ Is A Charming and Heartfelt Holiday Treat