March 13, 2021 Matt Bullions

‘Minari’ Is a Nuanced and Poignant Portrait of an American Family

March 12, 2021March 11, 2021 Matt Bullions

‘WandaVision’ is Thrilling and Wonderfully Bizarre

March 12, 2021March 10, 2021 Patrick Holman

‘Some Kind of Heaven’ Is A Slice of Life in The Villages

March 11, 2021March 10, 2021 Patrick Holman

‘The SpongeBob Movie: Sponge On the Run’ Is Surprisingly Fun

March 10, 2021March 10, 2021 Matt Bullions

‘Chaos Walking’ Seems Doomed From the Very Start

March 9, 2021March 9, 2021 Ryan D. Curtis

‘Murder Among the Mormons’ Is Chilling and Magnificent

March 8, 2021March 6, 2021 Matt Bullions

‘Land’ Is Well-Made, But Emotionally Underwhelming

March 7, 2021March 7, 2021 Matt Bullions

‘Soul’ Is An Emotional Marvel, and One of Pixar’s Best

March 6, 2021June 6, 2021 Patrick Holman

Editorial: The Best Films of 2020

March 6, 2021March 6, 2021 Matt Bullions

‘Malcolm & Marie’ Is a Striking Portrait of a Doomed Relationship

February 28, 2021 Matt Bullions

‘I Care a Lot’ Is a Deliciously Mean-Spirited Comedic Thriller

February 28, 2021February 27, 2021 Ryan D. Curtis

‘Locked Down’ Is A Run of the Mill Heist Flick With A COVID Twist

February 27, 2021 Matt Bullions

‘Cherry’ Is A Manipulative, Overlong, Incoherent Debacle

February 25, 2021February 27, 2021 Ryan D. Curtis

‘The Little Things’ Is Slow and Masterful, But Familiar

February 24, 2021 Matt Bullions

‘Barb and Star Go to Vista Del Mar’ Is a Wacky and Surreal Instant Comedy Classic

February 7, 2021February 7, 2021 Matt Bullions

‘Wonder Woman 1984’ Is Good, Actually

January 26, 2021February 9, 2021 Matt Bullions

‘The Undoing’ Is Addictive, Gripping, Exquisite Trash

January 25, 2021January 26, 2021 Ryan D. Curtis

‘Night Stalker: The Hunt For A Killer’ Is Trash TV At Its Finest

January 20, 2021January 25, 2021 Ryan D. Curtis

‘Don’t Tell a Soul’ Is An Intense, Atmospheric Thriller

December 27, 2020December 26, 2020 Patrick Holman

‘Wonder Woman 1984’ Shows Us That Warner Bros. Has Learned Nothing