September 6, 2024 Matt Bullions

‘Beetlejuice Beetlejuice’ is a Shockingly Satisfying Return to the Netherworld

September 1, 2024September 1, 2024 Matt Bullions

‘AfrAId’ Shows How Low Blumhouse Has Fallen

August 28, 2024August 28, 2024 Matt Bullions

‘Between the Temples’ Held This Viewer at a Distance

August 26, 2024 Matt Bullions

‘The Crow’ (2024) Has No Compelling Reason To Exist

August 25, 2024 Matt Bullions

‘Blink Twice’ is One of the Summer’s Best Surprises

August 24, 2024 Matt Bullions

‘Strange Darling’ Has Some Serious Problems

August 20, 2024August 20, 2024 Matt Bullions

‘Sing Sing’ is an Emotionally Gripping Story About the Power of Live Theatre

August 19, 2024 Matt Bullions

‘Alien: Romulus’ is Top Shelf Summer Franchise Filmmaking

August 18, 2024 Matt Bullions

‘Jackpot!’ Is a High-Concept Action Comedy That Works Some of the Time

August 16, 2024 Matt Bullions

‘Borderlands’ is a Tedious and Punishingly Joyless Journey To Nowhere

August 15, 2024 Matt Bullions

‘Cuckoo’ Earns its Title, For Better and For Worse

August 10, 2024August 12, 2024 Matt Bullions

‘It Ends With Us’ Almost Works

August 3, 2024 Matt Bullions

‘Trap’ is a Series of Frustrating Missed Opportunities

July 21, 2024 Matt Bullions

‘National Anthem’ Took My Breath Away

July 20, 2024July 20, 2024 Matt Bullions

‘Twisters’ Is Fun For Awhile, But Never Quite Takes Off

July 17, 2024 Matt Bullions

‘Longlegs’ Rocked Me To My Core

July 16, 2024 Matt Bullions

Matt’s Best Films of 2024…So Far

July 10, 2024 Matt Bullions

‘Fly Me to the Moon’ is a Reminder of What Good, Old-Fashioned Star Power Can Do

July 8, 2024 Matt Bullions

‘A Quiet Place: Day One’ is a Surprisingly Moving and Worthwhile Horror Prequel

July 7, 2024July 7, 2024 Matt Bullions

‘Despicable Me 4’ is Cacophonous, Shrill and Exhausting