December 12, 2024 Matt Bullions

Pamela Anderson Was Born to Play ‘The Last Showgirl’

December 10, 2024 Matt Bullions

Timothée Chalamet’s Performance Makes ‘A Complete Unknown’ Sing

December 3, 2024 Matt Bullions

Amy Adams is Giving a Ferocious and Fearless Performance in ‘Nightbitch’

November 27, 2024 Matt Bullions

‘Moana 2’, or ‘How Far We Won’t Go’

November 26, 2024November 26, 2024 Matt Bullions

Angelina Jolie Gives a Career-Best Performance in ‘Maria’

November 17, 2024November 17, 2024 Matt Bullions

‘The Best Christmas Pageant Ever’ is a Surprisingly Lovely Holiday Treat

November 16, 2024November 16, 2024 Matt Bullions

‘A Real Pain’ is One of the Year’s Best Surprises

November 15, 2024 Matt Bullions

‘Heretic’ is Two-Thirds of a Great Horror Movie

November 14, 2024November 14, 2024 Matt Bullions

‘Red One’ is Big, Loud, Ugly, Expensive and Dumb

November 13, 2024November 13, 2024 Matt Bullions

‘Anora’ is a Dizzying Delight and an Existential Crisis

November 3, 2024November 3, 2024 Matt Bullions

‘Emilia Pèrez’ is an Audacious and Original Mess

November 1, 2024November 1, 2024 Matt Bullions

‘Here’ is a Flawed But Fascinating Journey Through Time

October 26, 2024October 26, 2024 Matt Bullions

‘Conclave’ is Half Prestige Picture and Half Trashy Airport Novel

October 22, 2024October 22, 2024 Matt Bullions

‘We Live in Time’ Never Moved Me

October 19, 2024October 19, 2024 Matt Bullions

‘Smile 2’ is One of the Best Horror Sequels I’ve Seen in Years

October 8, 2024October 8, 2024 Matt Bullions

‘Saturday Night’ is an Electric and Exuberant Feast For Fans of Classic Comedy

October 5, 2024 Matt Bullions

‘Joker: Folie à Deux’ is an Exhausting and Excruciating Musical Misfire

September 25, 2024September 25, 2024 Matt Bullions

‘The Substance’ is a Bleak, Brutal and Brilliant Battle Cry

September 13, 2024September 13, 2024 Matt Bullions

‘Speak No Evil’ is a Rare Horror Remake That Works

September 11, 2024 Matt Bullions

There’s Nothing Going On in ‘The Front Room’