November 13, 2018November 14, 2018 Matt Bullions

“Bohemian Rhapsody,” Takes The Easy Way Out

November 12, 2018November 22, 2018 Matt Bullions

“Can You Ever Forgive Me,” Is Gritty, Mean And Magnificent

November 8, 2018 Matt Bullions

“Beautiful Boy,” Is Difficult To Watch, But Ultimately Rewarding

November 2, 2018November 12, 2018 Matt Bullions

“Suspiria,” Is Equal Parts Gorgeous And Sickening To Watch

October 31, 2018October 31, 2021 Ryan D. Curtis

”Halloween,” Is Back With A Bang

October 31, 2018October 31, 2018 Matt Bullions

“First Man,” Is Proficiently Made, But A Chore to Sit Through

October 29, 2018November 2, 2018 Patrick Holman

“The Old Man & the Gun,” Is A Sentimental End to Redford’s Acting Career

October 22, 2018October 29, 2018 Matt Bullions

“Halloween,” Is More Than An Average Slasher

October 18, 2018October 19, 2018 Matt Bullions

“The Hate U Give,” Is Thought-Provoking

October 16, 2018October 18, 2018 Patrick Holman

“Colette,” Is A Story of Queer Feminism

October 14, 2018January 25, 2021 Ryan D. Curtis

“Bad Times at the El Royale,” Is A Wonderful ‘60s Delight

October 13, 2018January 25, 2021 Ryan D. Curtis

“Hell Fest,” Is Ridden With Horror Genre Cliches and Tropes

October 12, 2018October 12, 2018 Matt Bullions

“Venom,” Is Not A Complete Disaster

October 11, 2018February 9, 2021 Ryan D. Curtis

“Assassination Nation,” Is Stirring Social Commentary Wrapped In Brutality

October 5, 2018October 30, 2018 Matt Bullions

“A Star Is Born,” Is Emotionally Rich As Oscar Season Officially Begins

September 24, 2018October 5, 2018 Matt Bullions

“Juliet, Naked,” Is Absolutely Delightful

September 22, 2018 Matt Bullions

“Peppermint,” Is A Bland Action-Thriller

September 19, 2018September 24, 2018 Matt Bullions

“A Simple Favor,” Is A Hilarious Black Comedy

September 8, 2018September 19, 2018 Patrick Holman

“The Nun,” Is A Paltry Attempt At Horror

September 6, 2018September 8, 2018 Matt Bullions

“Searching,” Is Uniquely Thrilling