December 27, 2018December 2, 2020 Patrick Holman

‘Anna and the Apocalypse’ Will Be An Instant Cult Classic

December 27, 2018December 27, 2018 Matt Bullions

“Ben Is Back,” Is Emotionally Raw and Devastating

December 27, 2018December 31, 2018 Matt Bullions

“Aquaman,” Is Zany, Preposterous, and Monstrously Entertaining

December 24, 2018 Matt Bullions

“Vox Lux,” Is Macabre, Mean, and Utterly Fascinating

December 23, 2018December 27, 2018 Matt Bullions

“The Favourite,” Is Hilariously Acidic And Brilliantly Crafted

December 22, 2018 Matt Bullions

“Anna and the Apocalypse,” Is A Complete Joy to Behold

December 20, 2018December 23, 2018 Matt Bullions

“Roma,” Is Personal, Emotional, and Breathtakingly Beautiful

December 18, 2018January 1, 2019 Matt Bullions

“Widows,” Is a Solid Art-House Genre Film

December 9, 2018 Matt Bullions

“The Front Runner” Offers A Damaging Message

December 8, 2018December 20, 2018 Patrick Holman

“Spider-Man: Into the Spider-Verse,” Is the Best Superhero Movie Of 2018

November 29, 2018 Matt Bullions

“Ralph Breaks the Internet” Is A Candy-Colored Delight

November 23, 2018November 24, 2018 Matt Bullions

“Instant Family,” Is Poignant and Self-Aware

November 22, 2018November 24, 2018 Patrick Holman

“Fantastic Beasts: The Crimes of Grindelwald,” Completely Loses Itself

November 14, 2018November 22, 2018 Matt Bullions

“The Girl In The Spider’s Web,” Is Infuriatingly Mediocre

November 13, 2018November 14, 2018 Matt Bullions

“Bohemian Rhapsody,” Takes The Easy Way Out

November 12, 2018November 22, 2018 Matt Bullions

“Can You Ever Forgive Me,” Is Gritty, Mean And Magnificent

November 8, 2018 Matt Bullions

“Beautiful Boy,” Is Difficult To Watch, But Ultimately Rewarding

November 2, 2018November 12, 2018 Matt Bullions

“Suspiria,” Is Equal Parts Gorgeous And Sickening To Watch

October 31, 2018October 31, 2021 Ryan D. Curtis

”Halloween,” Is Back With A Bang

October 31, 2018October 31, 2018 Matt Bullions

“First Man,” Is Proficiently Made, But A Chore to Sit Through