May 29, 2023 Matt Bullions

‘BlackBerry’ Plays Like Shakespearean Tragedy For the Tech Era

May 26, 2023May 26, 2023 Matt Bullions

‘The Little Mermaid’ is a Rousing, Charming, Vibrant and (Yes) Necessary Journey Under the Sea

May 19, 2023May 19, 2023 Matt Bullions

Against All Odds and My Better Judgment, I Had a Pretty Good Time At ‘Fast X’

May 12, 2023 Matt Bullions

‘Love Again’ is One of the Single Worst Romance Films I’ve Ever Seen

May 9, 2023May 10, 2023 Matt Bullions

‘Book Club: The Next Chapter’ is Breezy, Frothy and Utterly Joyful

September 25, 2022October 2, 2022 Matt Bullions

‘Don’t Worry Darling’ Is a Hot Mess

September 23, 2022 Matt Bullions

‘Bros’ is the Best Comedy I’ve Seen This Year

November 26, 2021 Matt Bullions

Lady Gaga Is Stunning in the Fascinating Yet Wildly Uneven ‘House of Gucci’

November 21, 2021November 21, 2021 Matt Bullions

‘tick, tick…BOOM!’ Is a Passionate and Cathartic Love Letter to Broadway

November 17, 2021November 21, 2021 Matt Bullions

‘Eternals’ Is a Bold Departure for the MCU, and It Mostly Works

November 16, 2021November 15, 2021 Matt Bullions

‘Last Night in Soho’ Is a Gorgeously Mesmerizing Dreamlike Nightmare

November 14, 2021 Matt Bullions

‘Belfast’ Is a Total Bore and I’m Sure It Will Win Best Picture

September 5, 2021October 2, 2022 Matt Bullions

‘Shang-Chi and the Legend of the Ten Rings’ is Exhilarating Top-Tier Marvel Movie Magic

September 4, 2021 Matt Bullions

Camila Cabello Shines in the Otherwise Disappointing ‘Cinderella’

July 31, 2021 Matt Bullions

‘Joe Bell’ is a Mawkish, Condescending and Frustrating Viewing Experience

July 29, 2021July 30, 2021 Matt Bullions

‘Old’ is the Most Disappointing Horror Film I’ve Seen in Years

July 17, 2021 Matt Bullions

‘Space Jam: A New Legacy’ is a Hollow, Soulless and Cynical Exercise in Brand Worship

July 10, 2021 Matt Bullions

‘Queen Bees’ is Elder Abuse

June 26, 2021 Matt Bullions

‘F9’ is Big, Loud, Dumb and Never Any Fun

June 23, 2021June 23, 2021 Matt Bullions

‘Hitman’s Wife’s Bodyguard’ or ‘How Not to Do a Comedy Sequel’