September 6, 2024 Matt Bullions

‘Beetlejuice Beetlejuice’ is a Shockingly Satisfying Return to the Netherworld

September 1, 2024September 1, 2024 Matt Bullions

‘AfrAId’ Shows How Low Blumhouse Has Fallen

August 26, 2024 Matt Bullions

‘The Crow’ (2024) Has No Compelling Reason To Exist

August 25, 2024 Matt Bullions

‘Blink Twice’ is One of the Summer’s Best Surprises

August 24, 2024 Matt Bullions

‘Strange Darling’ Has Some Serious Problems

August 19, 2024 Matt Bullions

‘Alien: Romulus’ is Top Shelf Summer Franchise Filmmaking

August 15, 2024 Matt Bullions

‘Cuckoo’ Earns its Title, For Better and For Worse

July 17, 2024 Matt Bullions

‘Longlegs’ Rocked Me To My Core

July 16, 2024 Matt Bullions

Matt’s Best Films of 2024…So Far

July 8, 2024 Matt Bullions

‘A Quiet Place: Day One’ is a Surprisingly Moving and Worthwhile Horror Prequel

July 6, 2024 Matt Bullions

‘MaXXXine’ Wraps Up a Great Horror Trilogy With Lots of Pulpy, Lurid Style

June 18, 2024 Matt Bullions

‘Tuesday’ is a Bewildering and Exhausting Experience

April 9, 2024 Matt Bullions

‘Civil War’ Suggests a Bleak View of Humanity Without Really Saying Anything

April 9, 2024May 7, 2024 Matt Bullions

‘Ghostbusters: Frozen Empire’ is Aggressively Okay

April 2, 2024 Matt Bullions

‘Late Night With The Devil’ is a Terrific Little Genre Flick With One Big Problem

March 29, 2024March 29, 2024 Matt Bullions

‘Immaculate’ is Derivative and Inconsistent, But Definitely Sticks the Landing

March 1, 2024March 1, 2024 Matt Bullions

‘Dune: Part Two’ is Big-Budget Sci-Fi Filmmaking At Its Finest

February 7, 2024February 7, 2024 Matt Bullions

‘Lisa Frankenstein’ is Where the Halloween Movie and the Valentine’s Day Movie Intersect

February 3, 2024February 5, 2024 Matt Bullions

Matt’s Best Films of 2023

August 15, 2023August 15, 2023 Matt Bullions

‘Talk to Me’ Continues 2023’s Banner Year For Horror