March 7, 2025March 7, 2025 Matt Bullions

There’s A Lot Going On in ‘Mickey 17’ and Yet Not Enough

February 28, 2025 Matt Bullions

‘My Dead Friend Zoe’ is an Emotionally Charged Story About Trauma and Healing

February 17, 2025February 17, 2025 Matt Bullions

‘The Monkey’ is a Twisted, Bloody, Bonkers Good Time

February 16, 2025 Matt Bullions

‘Captain America: Brave New World’ is Yet Another Setback for the MCU

February 12, 2025February 12, 2025 Matt Bullions

‘Love Hurts’ Showcases Everything That’s Wrong With the Modern Action Movie

February 11, 2025February 11, 2025 Matt Bullions

‘Paddington in Peru’ Marks the Completion of a Near-Perfect Trilogy

February 9, 2025February 10, 2025 Matt Bullions

‘I’m Still Here’ is Brilliant, Devastating and Essential

February 7, 2025 Matt Bullions

‘Heart Eyes’ is a Surprisingly Fun and Clever Slasher Rom-Com

February 1, 2025 Matt Bullions

‘Love Me’ is One Interesting Idea Stretched Way Beyond Its Limits

January 29, 2025February 1, 2025 Matt Bullions

‘Companion’ is a Demented and Deliciously Twisted Delight

January 26, 2025January 26, 2025 Matt Bullions

‘Presence’ is an Eerie and Surprisingly Emotional Ghost Story

January 20, 2025January 19, 2025 Matt Bullions

‘One of Them Days’ is the Throwback Buddy Comedy We Need Right Now

January 19, 2025 Matt Bullions

‘Wolf Man’ is Fine for a January Horror Flick, But is Otherwise Pretty Underwhelming

January 18, 2025 Matt Bullions

‘Hard Truths’ is a Fascinating Study of Human Behavior

January 12, 2025 Matt Bullions

‘Better Man’ is Nutty and Electrifying

December 23, 2024December 23, 2024 Matt Bullions

How Did Anyone Think ‘Kraven the Hunter’ Was A Good Idea?

December 22, 2024December 18, 2024 Matt Bullions

‘Nosferatu’ Is Effective, But Could Be Nuttier

December 21, 2024December 20, 2024 Matt Bullions

Nicole Kidman Does Some of Her Finest Work in the Electric ‘Babygirl’

December 20, 2024December 20, 2024 Matt Bullions

‘The Room Next Door’ is a Haunting Meditation on Grief

December 19, 2024December 18, 2024 Matt Bullions

‘The Brutalist’ is a Towering Yet Flawed Cinematic Achievement