December 20, 2024December 20, 2024 Matt Bullions

‘The Room Next Door’ is a Haunting Meditation on Grief

December 19, 2024December 18, 2024 Matt Bullions

‘The Brutalist’ is a Towering Yet Flawed Cinematic Achievement

December 18, 2024December 18, 2024 Matt Bullions

‘Queer’ is Yet Another Luca Guadagnino Winner

December 12, 2024 Matt Bullions

Pamela Anderson Was Born to Play ‘The Last Showgirl’

December 10, 2024 Matt Bullions

Timothée Chalamet’s Performance Makes ‘A Complete Unknown’ Sing

November 30, 2024November 30, 2024 Matt Bullions

‘Juror #2’ is a Derivative and Underwhelming Courtroom Drama

November 26, 2024November 26, 2024 Matt Bullions

Angelina Jolie Gives a Career-Best Performance in ‘Maria’

November 16, 2024November 16, 2024 Matt Bullions

‘A Real Pain’ is One of the Year’s Best Surprises

November 13, 2024November 13, 2024 Matt Bullions

‘Anora’ is a Dizzying Delight and an Existential Crisis

November 3, 2024November 3, 2024 Matt Bullions

‘Emilia Pèrez’ is an Audacious and Original Mess

November 1, 2024November 1, 2024 Matt Bullions

‘Here’ is a Flawed But Fascinating Journey Through Time

October 26, 2024October 26, 2024 Matt Bullions

‘Conclave’ is Half Prestige Picture and Half Trashy Airport Novel

October 22, 2024October 22, 2024 Matt Bullions

‘We Live in Time’ Never Moved Me

September 30, 2024September 30, 2024 Matt Bullions

‘Megalopolis’ is a Legendary Piece of Garbage

September 12, 2024 Matt Bullions

‘My Old Ass’ is a Cathartic Healing Experience

August 28, 2024August 28, 2024 Matt Bullions

‘Between the Temples’ Held This Viewer at a Distance

August 25, 2024 Matt Bullions

‘Blink Twice’ is One of the Summer’s Best Surprises

August 20, 2024August 20, 2024 Matt Bullions

‘Sing Sing’ is an Emotionally Gripping Story About the Power of Live Theatre

August 17, 2024 Matt Bullions

‘Didi’ is a Warm and Incisive Coming-of-Age Wonder

August 10, 2024August 12, 2024 Matt Bullions

‘It Ends With Us’ Almost Works