November 3, 2024November 3, 2024 Matt Bullions

‘Emilia Pèrez’ is an Audacious and Original Mess

October 8, 2024October 8, 2024 Matt Bullions

‘Saturday Night’ is an Electric and Exuberant Feast For Fans of Classic Comedy

September 29, 2024September 29, 2024 Matt Bullions

‘The Wild Robot’ is a Thoughtful and Poignant Masterclass in Animation

September 25, 2024September 25, 2024 Matt Bullions

‘The Substance’ is a Bleak, Brutal and Brilliant Battle Cry

September 13, 2024September 13, 2024 Matt Bullions

‘Speak No Evil’ is a Rare Horror Remake That Works

September 12, 2024 Matt Bullions

‘My Old Ass’ is a Cathartic Healing Experience

September 11, 2024 Matt Bullions

There’s Nothing Going On in ‘The Front Room’

September 6, 2024 Matt Bullions

‘Beetlejuice Beetlejuice’ is a Shockingly Satisfying Return to the Netherworld

August 28, 2024August 28, 2024 Matt Bullions

‘Between the Temples’ Held This Viewer at a Distance

August 25, 2024 Matt Bullions

‘Blink Twice’ is One of the Summer’s Best Surprises

August 21, 2024August 19, 2024 Matt Bullions

‘Skincare’ is a Campy and Lurid Satirical Thriller

August 18, 2024 Matt Bullions

‘Jackpot!’ Is a High-Concept Action Comedy That Works Some of the Time

August 17, 2024 Matt Bullions

‘Didi’ is a Warm and Incisive Coming-of-Age Wonder

August 16, 2024 Matt Bullions

‘Borderlands’ is a Tedious and Punishingly Joyless Journey To Nowhere

July 16, 2024 Matt Bullions

Matt’s Best Films of 2024…So Far

July 10, 2024 Matt Bullions

‘Fly Me to the Moon’ is a Reminder of What Good, Old-Fashioned Star Power Can Do

July 7, 2024July 7, 2024 Matt Bullions

‘Despicable Me 4’ is Cacophonous, Shrill and Exhausting

June 27, 2024June 27, 2024 Matt Bullions

‘Kinds of Kindness’ is Delightfully Out of Its Damn Mind

June 21, 2024 Matt Bullions

‘Thelma’ is One of the Year’s Best Films

June 12, 2024June 12, 2024 Matt Bullions

‘Inside Out 2’ is a Worthy Successor to One of Pixar’s Best Films