August 18, 2024 Matt Bullions

‘Jackpot!’ Is a High-Concept Action Comedy That Works Some of the Time

August 17, 2024 Matt Bullions

‘Didi’ is a Warm and Incisive Coming-of-Age Wonder

August 16, 2024 Matt Bullions

‘Borderlands’ is a Tedious and Punishingly Joyless Journey To Nowhere

August 15, 2024 Matt Bullions

‘Cuckoo’ Earns its Title, For Better and For Worse

August 10, 2024August 12, 2024 Matt Bullions

‘It Ends With Us’ Almost Works

August 3, 2024 Matt Bullions

‘Trap’ is a Series of Frustrating Missed Opportunities

July 25, 2024July 26, 2024 Matt Bullions

‘Deadpool and Wolverine’ Makes a Strong Case for the End of Superhero Fatigue

July 21, 2024 Matt Bullions

‘National Anthem’ Took My Breath Away

July 20, 2024July 20, 2024 Matt Bullions

‘Twisters’ Is Fun For Awhile, But Never Quite Takes Off

July 18, 2024 Matt Bullions

‘Daddio’ is a Thoughtful and Emotionally Powerful Two-Hander

July 17, 2024 Matt Bullions

‘Longlegs’ Rocked Me To My Core

July 16, 2024 Matt Bullions

Matt’s Best Films of 2024…So Far

July 10, 2024 Matt Bullions

‘Fly Me to the Moon’ is a Reminder of What Good, Old-Fashioned Star Power Can Do

July 8, 2024 Matt Bullions

‘A Quiet Place: Day One’ is a Surprisingly Moving and Worthwhile Horror Prequel

July 7, 2024July 7, 2024 Matt Bullions

‘Despicable Me 4’ is Cacophonous, Shrill and Exhausting

July 6, 2024 Matt Bullions

‘MaXXXine’ Wraps Up a Great Horror Trilogy With Lots of Pulpy, Lurid Style

June 27, 2024June 27, 2024 Matt Bullions

‘Kinds of Kindness’ is Delightfully Out of Its Damn Mind

June 24, 2024June 24, 2024 Matt Bullions

‘Ghostlight’ is a Powerful Tribute to the Healing Power of Art

June 21, 2024 Matt Bullions

‘Thelma’ is One of the Year’s Best Films

June 20, 2024 Matt Bullions

‘The Bikeriders’ is an Entertaining and Well-Made Throwback Crime Drama