‘A Real Pain’ is One of the Year’s Best Surprises
‘Heretic’ is Two-Thirds of a Great Horror Movie
‘Red One’ is Big, Loud, Ugly, Expensive and Dumb
‘Anora’ is a Dizzying Delight and an Existential Crisis
‘Emilia Pèrez’ is an Audacious and Original Mess
‘Here’ is a Flawed But Fascinating Journey Through Time
‘Conclave’ is Half Prestige Picture and Half Trashy Airport Novel
‘We Live in Time’ Never Moved Me
‘Smile 2’ is One of the Best Horror Sequels I’ve Seen in Years
‘Saturday Night’ is an Electric and Exuberant Feast For Fans of Classic Comedy
‘Joker: Folie à Deux’ is an Exhausting and Excruciating Musical Misfire
‘Megalopolis’ is a Legendary Piece of Garbage
‘The Wild Robot’ is a Thoughtful and Poignant Masterclass in Animation
‘The Substance’ is a Bleak, Brutal and Brilliant Battle Cry
‘Speak No Evil’ is a Rare Horror Remake That Works
‘My Old Ass’ is a Cathartic Healing Experience
There’s Nothing Going On in ‘The Front Room’
‘Beetlejuice Beetlejuice’ is a Shockingly Satisfying Return to the Netherworld
‘AfrAId’ Shows How Low Blumhouse Has Fallen
Salt Lake Film Review 