Salt Lake Film Review

October 31, 2018October 31, 2018 Matt Bullions

“First Man,” Is Proficiently Made, But A Chore to Sit Through

October 30, 2018October 30, 2018 Matt Bullions

“The Old Man & the Gun,” Is A Tribute to A Legendary Film Career

October 29, 2018November 2, 2018 Patrick Holman

“The Old Man & the Gun,” Is A Sentimental End to Redford’s Acting Career

October 22, 2018October 29, 2018 Matt Bullions

“Halloween,” Is More Than An Average Slasher

October 19, 2018October 22, 2018 Patrick Holman

“Bad Times at the El Royale,” Is A Strange, Captivating Thriller

October 18, 2018October 19, 2018 Matt Bullions

“The Hate U Give,” Is Thought-Provoking

October 16, 2018October 18, 2018 Patrick Holman

“Colette,” Is A Story of Queer Feminism

October 14, 2018January 25, 2021 Ryan D. Curtis

“Bad Times at the El Royale,” Is A Wonderful ‘60s Delight

October 13, 2018January 25, 2021 Ryan D. Curtis

“Hell Fest,” Is Ridden With Horror Genre Cliches and Tropes

October 12, 2018October 12, 2018 Matt Bullions

“Venom,” Is Not A Complete Disaster

October 11, 2018February 9, 2021 Ryan D. Curtis

“Assassination Nation,” Is Stirring Social Commentary Wrapped In Brutality

October 5, 2018October 30, 2018 Matt Bullions

“A Star Is Born,” Is Emotionally Rich As Oscar Season Officially Begins

September 26, 2018 Matt Bullions

“Life Itself,” Is A Disaster

September 24, 2018October 5, 2018 Matt Bullions

“Juliet, Naked,” Is Absolutely Delightful

September 22, 2018 Matt Bullions

“Peppermint,” Is A Bland Action-Thriller

September 19, 2018September 24, 2018 Matt Bullions

“A Simple Favor,” Is A Hilarious Black Comedy

September 8, 2018September 19, 2018 Patrick Holman

“The Nun,” Is A Paltry Attempt At Horror

September 6, 2018September 8, 2018 Matt Bullions

“Searching,” Is Uniquely Thrilling

September 5, 2018January 25, 2021 Ryan D. Curtis

“Kin,” Is Flawed But Still Worth Seeing

September 4, 2018September 3, 2018 Matt Bullions

“Dog Days,” Is Mostly Smiles and Tail-Wagging