Salt Lake Film Review

December 6, 2020January 2, 2021 Matt Bullions

‘The Prom’ Is a Dazzling Love Letter to the Magic of Broadway

December 5, 2020December 5, 2020 Matt Bullions

Countdown to Christmas: ‘Ben Is Back’

December 3, 2020December 2, 2020 Patrick Holman

Countdown to Christmas: ‘Anna and the Apocalypse’

December 1, 2020December 5, 2020 Matt Bullions

Countdown to Christmas: ‘Last Christmas’

October 27, 2020 Matt Bullions

CIFF 2020: One Night in Miami

October 18, 2020 Matt Bullions

‘Spontaneous’ Is One of the Year’s Best Films

October 15, 2020 Matt Bullions

‘On the Rocks’ Is a Warm and Charming Look at Family Dynamics

October 13, 2020October 11, 2020 Patrick Holman

‘The Wolf of Snow Hollow’ Is A Clever Monster Story — But Who Is the Monster?

October 12, 2020October 11, 2020 Matt Bullions

NYFF 2020: French Exit

October 11, 2020October 11, 2020 Patrick Holman

‘Dick Johnson Is Dead’ Is Full of Love

October 11, 2020December 24, 2020 Matt Bullions

NYFF 2020: Nomadland

September 26, 2020October 11, 2020 Patrick Holman

‘Kajillionaire’ Speaks to the Generational Responsibility of Upbringing

September 22, 2020 Matt Bullions

‘Mulan’ Breathes Exhilarating Life Into An Old Story

September 20, 2020September 20, 2020 Matt Bullions

‘Antebellum’ Has Potential, But It Is Frustratingly Underwritten

September 19, 2020September 19, 2020 Patrick Holman

A Look Back: ‘On the Basis of Sex’ Portrays Ruth Bader Ginsburg Coming Into Her Own

September 18, 2020September 18, 2020 Matt Bullions

A Look Back: ‘RBG’ Is A Passionate Love Letter

September 17, 2020September 17, 2020 Patrick Holman

Something Lurks Beneath ‘The Devil All the Time’ But Be Warned

September 17, 2020 Matt Bullions

‘The Broken Hearts Gallery’ Is Sharp and Funny Escapism

September 15, 2020 Matt Bullions

‘Words on Bathroom Walls’ Is Charming, Wise, and Compelling

September 14, 2020 Patrick Holman

The Magic of ‘The Prestige’