Salt Lake Film Review

October 13, 2020October 11, 2020 Patrick Holman

‘The Wolf of Snow Hollow’ Is A Clever Monster Story — But Who Is the Monster?

October 12, 2020October 11, 2020 Matt Bullions

NYFF 2020: French Exit

October 11, 2020October 11, 2020 Patrick Holman

‘Dick Johnson Is Dead’ Is Full of Love

October 11, 2020December 24, 2020 Matt Bullions

NYFF 2020: Nomadland

September 26, 2020October 11, 2020 Patrick Holman

‘Kajillionaire’ Speaks to the Generational Responsibility of Upbringing

September 22, 2020 Matt Bullions

‘Mulan’ Breathes Exhilarating Life Into An Old Story

September 20, 2020September 20, 2020 Matt Bullions

‘Antebellum’ Has Potential, But It Is Frustratingly Underwritten

September 19, 2020September 19, 2020 Patrick Holman

A Look Back: ‘On the Basis of Sex’ Portrays Ruth Bader Ginsburg Coming Into Her Own

September 18, 2020September 18, 2020 Matt Bullions

A Look Back: ‘RBG’ Is A Passionate Love Letter

September 17, 2020September 17, 2020 Patrick Holman

Something Lurks Beneath ‘The Devil All the Time’ But Be Warned

September 17, 2020 Matt Bullions

‘The Broken Hearts Gallery’ Is Sharp and Funny Escapism

September 15, 2020 Matt Bullions

‘Words on Bathroom Walls’ Is Charming, Wise, and Compelling

September 14, 2020 Patrick Holman

The Magic of ‘The Prestige’

September 13, 2020September 13, 2020 Patrick Holman

The Controversy Over ‘Cuties’ And What This Movie Really Is

September 13, 2020 Matt Bullions

‘Tenet’ Is A Risk That Doesn’t Pay Off

September 13, 2020September 13, 2020 Patrick Holman

‘The Broken Hearts Gallery’ Plays It Safe, Which Is Why It Works So Well

September 12, 2020September 12, 2020 Patrick Holman

‘Mulan’ Fails to Impress

September 6, 2020September 26, 2020 Patrick Holman

‘Tenet’ Is Ambitious and Messy

August 16, 2020September 6, 2020 Patrick Holman

‘Sputnik’ Is An Intelligent Russian Sci-Fi

August 9, 2020August 9, 2020 Patrick Holman

‘The Rental’ Fizzles Out But Shows Promise for Dave Franco