Author: Matt Bullions
Matt Bullions is an avid film lover living in Pittsburgh, PA. He holds a degree in Journalism and Communications, and is a founding member of the Pittsburgh Film Critics Association. He also writes reviews for books and theatre. Matt joined Salt Lake Film Review in March 2018 as a contributing writer. He can be found at @shutupmatt.bsky.social on BlueSky, @whymattwhy on Instagram and @_shutupmatt on Twitter.
How Did Anyone Think ‘Kraven the Hunter’ Was A Good Idea?
‘Nosferatu’ Is Effective, But Could Be Nuttier
Nicole Kidman Does Some of Her Finest Work in the Electric ‘Babygirl’
‘The Room Next Door’ is a Haunting Meditation on Grief
‘The Brutalist’ is a Towering Yet Flawed Cinematic Achievement
‘Queer’ is Yet Another Luca Guadagnino Winner
Pamela Anderson Was Born to Play ‘The Last Showgirl’
Timothée Chalamet’s Performance Makes ‘A Complete Unknown’ Sing
Amy Adams is Giving a Ferocious and Fearless Performance in ‘Nightbitch’
‘Juror #2’ is a Derivative and Underwhelming Courtroom Drama
‘Moana 2’, or ‘How Far We Won’t Go’
Angelina Jolie Gives a Career-Best Performance in ‘Maria’
‘Wicked’ is a Breathtaking Reminder of the Magic of Movies
‘The Best Christmas Pageant Ever’ is a Surprisingly Lovely Holiday Treat
‘A Real Pain’ is One of the Year’s Best Surprises
‘Heretic’ is Two-Thirds of a Great Horror Movie
‘Red One’ is Big, Loud, Ugly, Expensive and Dumb
‘Anora’ is a Dizzying Delight and an Existential Crisis
