Author: Matt Bullions
Matt Bullions is an avid film lover living in Pittsburgh, PA. He holds a degree in Journalism and Communications, and is a founding member of the Pittsburgh Film Critics Association. He also writes reviews for books and theatre. Matt joined Salt Lake Film Review in March 2018 as a contributing writer. He can be found at @shutupmatt.bsky.social on BlueSky, @whymattwhy on Instagram and @_shutupmatt on Twitter.
“Bumblebee,” Brings A Clunker Back From The Dead
“Second Act,” Doesn’t Take Itself Too Seriously
“Mary Poppins Returns,” Is Grand, Sweeping, and Totally Magical
“Ben Is Back,” Is Emotionally Raw and Devastating
“Aquaman,” Is Zany, Preposterous, and Monstrously Entertaining
“Vox Lux,” Is Macabre, Mean, and Utterly Fascinating
“The Favourite,” Is Hilariously Acidic And Brilliantly Crafted
“Anna and the Apocalypse,” Is A Complete Joy to Behold
“Spider-Man: Into the Spider-Verse,” Is The Best Animated Film of the Year
“Roma,” Is Personal, Emotional, and Breathtakingly Beautiful
“Widows,” Is a Solid Art-House Genre Film
“The Front Runner” Offers A Damaging Message
“Ralph Breaks the Internet” Is A Candy-Colored Delight
“Boy Erased,” Is Difficult, But Essential Viewing
“Instant Family,” Is Poignant and Self-Aware
“Fantastic Beasts: The Crimes of Grindelwald,” Is A Beautiful Mess
“Nobody’s Fool,” Is Horrible, Squirmy And Miserably Unfunny
“The Girl In The Spider’s Web,” Is Infuriatingly Mediocre
Salt Lake Film Review 